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Thinly painted on the sky and shore, with thicker, creamy brushstrokes on the waves.
It is painted on a board with an uneven bevelled edge on the verso, as seen above.
A conservator, Simon Parkes, commented that when he examined it in November 2015, it was in 'unusually good condition' although it could be slightly dirty, and there was nothing to suggest the butterfly, though faint, was a later addition. 1
Not original.
1: Simon Parkes Art Conservation, New York, letter to Christie's, New York NY, 20 November 2015.
Last updated: 18th October 2020 by Margaret