Detail from The Canal, Amsterdam, 1889, James McNeill Whistler, The Hunterian, University of Glasgow

Home  > Catalogue > People > Edouard Manet (related works) > Catalogue entry

Copy after 'La Réunion des cavaliers', of the School of Velázquez

Titles

Alternative titles have been suggested:

  • 'group of cavaliers' (1908, Pennell). 1
  • 'Cavaliers' (1945/1955, J. W. Revillon). 2
  • "Copy after 'La Réunion des cavaliers', of the School of Velázquez" (1980, YMSM). 3

Description

School of Velázquez, 'La Réunion des cavaliers', Musée du Louvre
School of Velázquez, 'La Réunion des cavaliers', Musée du Louvre

Whistler copied part of the painting reproduced above, which was at that time attributed to Velázquez. The original shows a group of three men in the left foreground, and ten more distributed to the right. They are dressed in long boots, clothes and cloaks of rich colours, with contrasting sashes and lace collars, broad-brimmed hats with feathers, and some have swords. It is not known which figures were copied by Whistler.

Comments

J. McN. Whistler, Cavalier, Metropolitan Museum of Art
J. McN. Whistler, Cavalier, Metropolitan Museum of Art

Several drawings done by Whistler about 1854 (before he left America), including Cavalier [M.0167] (reproduced above) and 'Then Sir - I am the King of Spain!!!' [M.0166], indicate Whistler's interest in the flamboyant costumes of imaginary cavaliers. They may have been influenced by his readings of Le Sage's The Adventures of Gil Blas of Santinane (1715-1735), and Cervantes' Don Quixote de la Mancha (1605).

Notes:

1: Pennell 1908 [more] , vol. 1, p. 73.

2: Revillon, Draft Catalogue [more] (cat. no. 466).

3: YMSM 1980 [more] (cat. no. 19).

Last updated: 21st November 2019 by Margaret